
Ok, so let's see what and how and whether...
Tossing pennies into the void.
As in, penny for my thoughts. So, my mother passed this morning, peaceful and easy.
I get to try and deal with this as a son, as well as a father. Our daughter's a little younger than I was, the first time a close relative passed.
She's a teenager, so there's going to be resentment.
She's a teenager, so there's also time for us to be here for her to work through that resentment.
My mother suffered, as patients with a terminal illness suffer at the end. She was fortunate, though. Compared to others with her particular illness, the pain was low.
There are sometimes small blessings to a brain tumor. And in this case, the brain tumor appeared to cut off some of the pain centers. So the rest of the tumors, in breast and stomach and throughout her lymphatic system, weren't the torture they might have otherwise been.
We were there, and many thanks, because the hospice team were there to back us up. Hospice nurses, counselors. Whatever we needed, Houston Hospice was there for us. Angels in disguise, as all who work in that part of the medical field must be.
They made it a great deal less tedious, for us, but for my mother most of all. It's a long slow business, passing through the twilight region via cancer. Time passes in funny ways.
The long nights, for us listening to her breathe.
For her, the long days, thinking and coming to terms with the toll that the twilight passage requires. I don't think it's easy, or cheap, that passage.
And I know it's lonely. That's the one traverse we must all walk alone. No one else can walk that path, with us or for us.
And it's the one that seems to leave everyone behind. From our perspective sitting on the shore, at least. Where do they go?
Soon enough, we'll know. Whatever creed we follow, the answer awaits.
Just let it be enough, that when we get to that path, that there be love and support while we make the steps down the twilight passage.
Herein my Open Wounds series
Old homes, old castles. Old ghosts.
Ghosts don't just appear. They don't just wander in from the ether and take up a place at the table.
They come from open wounds. The parts of life that never quite heal.
Shame. Terror. Murder.
Imprisonment.
In a forgotten place, far away from the center of life, the centers of power, in a land of ice over fire, a castle was built.
Not as a home. Not to project power, or to defend territory.
It was built as a prison.
And this prisoner is not content to remain there.
What will his jailers do? What will they sacrifice to insure that this prisoner is never again allowed to inflict himself upon the innocents he feasts upon?
What won't they sacrifice?
Open Wounds (Open Wounds Book 1)
Long before jailer and jailed, they were friends. Monsters don't always begin that way.
A time of beginnings...
Names of power, legends of glory. Stories don't always start at the point where the heroes enter and vanquish the monster.
In this case, two friends will end up facing each other as prisoner and jailer, queen and ultimate subject. Their decisions in that place and time will shatter a distant corner of the world, leaving the fate of many to random chance and the viciousness of winter.
But first, long before they face off as bitter enemies, two children, on that verge between leaving childhood behind for the pathways of adulthood, must answer the most delightful question imaginable.
What's in the box?
Open Wounds is the first book in the Open Wounds series. It is available at Amazon as ebook and paperback, from Nook as ebook, from Kobo as ebook, from Smashwords as ebook
Passing Fancies (Open Wounds Book 2)
Far and away. Forgotten.
Almost. No single generation is long enough to erase certain memories from the world.
A time for testing. A time for betrayal.
Far to the north, where the ice grabs, and the volcanoes rumble, a queen has carved out a tiny kingdom. A borderland at the edge of an Empire, mostly forgotten by those who stand at the center and grasp for power.
Mostly. There are those who remember that the queen placed her kingdom at the edge of nowhere for a reason. Those that know that Megan built her kingdom to constrain the power of the leading magician of the age. The most powerful, the most insane magician of the age.
One of that mage's former cult remembers, and vows to free her master. She will do anything, and everything, to free her master and avenge the insult that has held him prisoner, encased in stone for a generation.
Will Megan, and the friends and family she's gathered around her, stop the cultist before she succeeds? Assuming first that they'll find out who she is...
Passing Fancies is the second book in the Open Wounds series. It is available at Amazon as ebook and paperback, from Nook as ebook, from Kobo as ebook, from Smashwords as ebook
Train In Tow (Open Wounds Book 3)
What routes open to you, when your faithful return to your bidding. No prison can hold you when the true believers will tear apart the world over the barest hint of your word.
A time when webs spin and grow.
Freedom, so close he can taste it. The prisoner knows, expands his reach, his grasp. To those who welcome his call. And to those who will risk everything to stop it.
Jane has listened to that call since birth. She's given everything to follow the trail that led her to this place of ice and snow. All that she was, that she might have been, has been sacrificed to free Chad from his imprisonment.
Jane has killed. She will kill again. Whatever it takes.
But her master has other plans now. Other means of getting what he wants. And Megan, the queen, is close, ever so close, to knowing Jane's secret. The queen, her daughter, her daughter's tutor and best friend. Each and every one of them has a piece of the puzzle.
They know. Justice chases her heels, and the path Jane travels shifts beneath her feet. Will she fall?
Or will her master throw her to the wolves first?
Train In Tow is the third book in the Open Wounds series. It is available at Amazon as ebook and paperback, from Kobo as ebook, from Smashwords as ebook, from Nook as ebook
I've danced around this a bit, but the big thing going on in our lives at the moment is that my mother is dying.
We have her at home, with hospice minding things. They're a godsend, of course. What the ladies and gentlemen of hospice care do for us every day is truly the work of saints.
The heavy lifting, though. They can't do that for us.
It's part of life, this time at the end. One way or another, we all come to the clearing at the end of the path. I'm just glad that my wife and daughter and I are in a position to be here for my mother and her husband.
It's a rough thing. But at the same time, I can't help thinking of the stories, especially from the late 19th century. Every family seemed to have a grandfather, or more often grandmother, who had 'taken to their bed'.
If you've seen Willy Wonka and the Chocolate Factory, the Gene Wilder version of the movie, then you'll remember the scene where Charlie goes home to what seems like half the family on pallets under blankets. Waiting for the end.
Roald Dahl in the story, and the creators of the movie, do a wonderful job of showing what a good thing hope is for the family. The impact it has.
I've been through something like this a time or two before. Great-grandparents, grandparents. That particular sort of magic doesn't much apply.
But that doesn't mean the hope isn't there. Magic just occasionally takes a little different form. Not the one we imagine, or wish for.
Just the one we need.
I'm gonna make sure I give my daughter a kiss, more often than I might otherwise have. And my wife, and most of all my mother. I think they'll need it, over these next few days as we approach the end of this particular path.
And I know I'll need it more than they do. It's amazing where you can find magic, when you're not looking for it.
So close, so close.
So close I can taste it. One of the little hazards, I'm finding as I go along with this whole writing and publishing thing, is that 'almost-finished' point is momentous.
It has its own gravity.
When you're to the point where the copyedits look good, the formatting looks right... Backcopy yet to come, though. Little checks, here and there. Self awareness by accident, or by purpose.
The ultimate point is to try and catch the silly mistakes, as best I can. No process is perfect, but I can do my best. And make myself write notes down whenever I do something, so that I don't have to relearn it all over again next time.
That's a longwinded way of saying that I've ok'd all the formatting and copyedits on the next book, Book 3 in the Open Wounds series. I've a few more steps, short ones, but it'll be available soon enough.
Which will hopefully make me get going on adding a few more link pages...
Ah, the stars, the stars.
Among the little things that will mean something far after we're all gone away from this time and place. Cassini is about to crash into Saturn, tomorrow around 8am eastern time.
Just about the time I'm headed to work, so I won't be able to catch the video in live feed. But, if these pictures from the history of the program are a good guide, they will be spectacular.
And the measurements they get on the way down invaluable. The team's going to be wrapping up, but they're going out with one hell of a bang, pardon the pun.
On another note, the New Horizons probe is in the middle of a calibration check, insuring that its hibernation mode is going correctly as it makes its way out to the Kuiper Belt and MU69. For the life of me, I can't find the link that I read this morning, but this one should give you at least an idea of what they're up to in that group. And what little surprises they've accumulated along the way.
Come on and join the light...
Which comes from the Who, playing as I start this.
The first time I've seen an official death toll from Hurricane Irma, all in so far she's done for 77 people since her path through islands up through Florida and beyond began. My sympathies go out to all the families, and all the cleanup ahead of them, mental and physical. All of this part of the world is still digging out from the aftermath of Hurricane Harvey's, so we're definitely in a position to sympathize.
I'm caught up in copyedits at the moment, going over the e-book files for Book 3 in my Open Wounds series, going through to make sure that nobody's missed anything, or that changes are consistent with what I'm after.
Drip drip drip, the life of the writer. The rest of it's muddling along, work and family, dogs and cats.
And, I'm out of gas, wit has left me bereft in interest of finding something else to do. Until later, dear reader.
Jerry Pournelle passed away this weekend. He was a large figure in the world of sci-fi. For the writing, first last and always. Like John Scalzi (here), for me, Jerry's story with Larry Niven, Footfall, was the first big story by Niven and Pournelle that I fell into.
I came to know Jerry more directly through his website, Chaos Manor, one of the first working writer's websites on the web. Jerry was a computer writer from the beginning, before anyone knew what that particular career was to come to mean.
I didn't agree with him politically on very many things. I don't share many of those views. But, I still read and paid attention to what he had to say. Before he had his stroke, which slowed him down some, Jerry wrote and corresponded with many different people, from a wide variety of backgrounds and political outlooks, and even when you disagreed with his view, he was always happy to engage with you about it.
There were, ultimately, two big things that I took from Chaos Manor itself. The first one was his and his wife's computer program for teaching reading. When my daughter reached the age where she could benefit from it, I downloaded the Pournelle's reading program and showed my daughter how to use it. So, in effect, Jerry taught my daughter the nuts and bolts of reading. I am forever in his, and Roberta's, debt.
The second thing I took was from the essay "How to get my job". That's the other part of what he did, and the Chaos Manor writings only brush up against it. Jerry was always an advocate for the writer, first and foremost, and he worked hard behind the scenes to make sure that SFWA worked as a writer's organization, regardless of where you were in your career. I'm just beginning at the 'pro' part of being a writer, but I know that as I step along that path, Jerry Pournelle's work for the generations that came before me is going to matter to what opportunities I and my peers have to make a living at this gig. Here too, I will always be in Dr. Jerry Pournelle's debt.
Go forth, good man, and follow the path we must all travel. I hope to meet with you someday, and hear some good stories you've discovered in the meantime.
SlateStarCodex is one of my oft visited sites. Scott tends to put time and thought into interesting questions. Even when/if I disagree with any particular thing, there's always a good conversation involved.
Sometimes, though, there are bits and pieces missing from both the arguments Scott presents, and the commenters who noodle his arguments in the conversation that follows. This post on how, or whether, breasts and human sexual response generally, reconciles with what we know or don't know about evolutionary psychology, is one example that I stumbled on.
It's nothing major, and it took me a while to realize what I was missing. At least one commenter mentioned the fact that humans don't generally know by looking (or smelling, or whatever) when females are ovulating. Unlike the rest of the mammalian family. I thought at first, cool, that's something like it.
But then I realized that can't be the whole answer. And I searched the post and comments for the phrase "sexual maturity", and came up empty.
That is, in a species where noone can tell when a female is in estrus, the standard mammalian (lack of) visible breasts won't do. There's not much physical distinction between human females before and after puberty, structurally speaking. Breast size and hip size are the most immediately visible means of distinguishing.
Note, I don't say this is the only explanation. It just occurs to me that it should likely be an important part of the mechanism as a whole.
Don Williams and Walter Becker passed away this week.
I don't know if I'm odd for a writer, but I have a hard time listening to lyrics in music. That's probably something to do with being an instrumentalist. I started out playing various instruments as a kid, and the music, the sound, has always been more immediate for me than the words in the song. I have to work for the lyrics.
Except for musicians like Don Williams and Walter Becker/Steely Dan. Not that I've got Steely Dan lyrics memorized. But when Don delivered a song, between that voice and his persona, he delivered the lyric as beautifully as can be imagined. Lyle Lovett in this article points this out, as well.
The writer of that article points out that Don wasn't exactly loved in Nashville at the time for it. Simple, clean, let the song shine. Willie Nelson and Waylon Jennings had similar experiences at the time. Don was just quieter about it. It's interesting to think about people like Lyle and Guy Clark and the other Texas singer/songwriters that came after Don. As always, there's a link and a story there, a continuity that's not always obvious, but would definitely make a good listening project for diving into everyone's albums and following along.
Walter Becker and Steely Dan. Ah, there's a love/hate relationship. The hate was because *every* song was overplayed. FM radio loved Steely Dan, at least things like Deacon Blues. They were inevitable and ubiquitous.
But I came back to the albums. I'm a jazz player, first last and always. So Steely Dan went into my Pandora rotation, and the album cuts stick with me more and more as I listen to them. The real joy is that I can listen to the songs in that intuitive way I need for background, working music. And then I can turn around and focus on the words, and get a chuckle when I need to. There's always that wry smile waiting in the wings.
Ok, I posted Deacon Blues from Steely Dan, here's one from Don Williams, Lord, I hope this day is good.
Oh, I almost forgot. I was thinking about something else, similar to what I posted the other day about being able to listen to Layla and Pearl Jam's Black as songs in conversation with one another. Don Williams and John Lennon also have songs that are in conversation with each other.
John Lennon recorded God for the Plastic Ono Band album. It's famous for lines like "I don't believe in Jesus", among others. But notice the structure.
And then realize that Don Williams sings I believe in love is, pretty much, the same setup, the same call and response. He just doesn't belabor the point, and he's more direct about pointing out the difference between 'congregating' and God, for example.